The work Ulterior Vistas (2012-2013) originates from a musical score, and is propelled by the notion of a driven sales agent, orating a prospectus based on grand 18th Century English landscape garden design. The protagonist is soliciting a global perspective characterised by appropriation of cultural heritage in order to cultivate a desirable public persona for an unidentified client. Aside from offering an array of landscape gardening solutions and attributes he also proposes more abstract features such as synthetic spirituality and symbolic gestures of generosity. The conceptual framework for the Ulterior Vistas photographic series derives from the English landscape architect Humphrey Repton’s famous Red Books (1752-1818). His books were bespoke landscape and architecture propositions for improving the estates and pleasure grounds of potential clients. The before-and-after illustrations were a key feature in Repton’s Red Books as were his verbal presentations.